By Robert Paul Lamb

ISBN-10: 047099682X

ISBN-13: 9780470996829

ISBN-10: 1405100648

ISBN-13: 9781405100649

A spouse to American Fiction, 1865-1914 is a groundbreaking number of essays written by way of top critics for a large viewers of students, scholars, and normal readers.

  • An particularly broad-ranging and obtainable Companion to the examine of yank fiction of the post-civil conflict interval and the early 20th century Brings jointly 29 essays by way of best students, each one of which offers a synthesis of the simplest study and provides an unique point of view
  • Divided into sections on ancient traditions and genres, contexts and subject matters, and significant authors
  • Covers a mix of canonical and the non-canonical topics, authors, literatures, and significant methods
  • Explores cutting edge themes, equivalent to ecological literature and ecocriticism, children’s literature, and the effect of Darwin on fiction

Content:
Chapter 1 The perform and promoting of yank Literary Realism (pages 15–34): Nancy Glazener
Chapter 2 pleasure and awareness within the Romance culture (pages 35–52): William J. Scheick
Chapter three The Sentimental and family Traditions, 1865–1900 (pages 53–76): Gregg Camfield
Chapter four Morality, Modernity, and “Malarial Restlessness”: American Realism in its Anglo?European Contexts (pages 77–95): Winfried Fluck
Chapter five American Literary Naturalism (pages 96–118): Christophe Den Tandt
Chapter 6 American Regionalism: neighborhood colour, nationwide Literature, worldwide Circuits (pages 119–139): June Howard
Chapter 7 ladies Authors and the Roots of yank Modernism (pages 140–148): Linda Wagner?Martin
Chapter eight the quick tale and the Short?Story series, 1865–1914 (pages 149–174): J. Gerald Kennedy
Chapter nine Ecological Narrative and Nature Writing (pages 177–200): S. ok. Robisch
Chapter 10 “The Frontier Story”: The Violence of Literary heritage (pages 201–221): Christine Bold
Chapter eleven local American Narratives: Resistance and Survivance (pages 222–239): Gerald Vizenor
Chapter 12 Representing the Civil battle and Reconstruction: From Uncle Tom to Uncle Remus (pages 240–259): Kathleen Diffley
Chapter thirteen Engendering the Canon: Women's Narratives, 1865–1914 (pages 260–278): Grace Farrell
Chapter 14 Confronting the trouble: African American Narratives (pages 279–295): Dickson D. Bruce
Chapter 15 Fiction's Many towns (pages 296–317): Sidney H. Bremer
Chapter sixteen Mapping the tradition of Abundance: Literary Narratives and patron tradition (pages 318–339): Sarah manner Sherman
Chapter 17 secrets and techniques of the Master's Deed field: Narrative and sophistication (pages 340–355): Christopher P. Wilson
Chapter 18 Ethnic Realism (pages 356–376): Robert M. Dowling
Chapter 19 Darwin, technology, and Narrative (pages 377–394): Bert Bender
Chapter 20 Writing within the “Vulgar Tongue”: legislations and American Narrative (pages 395–410): William E. Moddelmog
Chapter 21 making plans Utopia (pages 411–427): Thomas Peyser
Chapter 22 American kid's Narrative as Social feedback, 1865–1914 (pages 428–448): Gwen Athene Tarbox
Chapter 23 an concept of Order at harmony: Soul and Society within the brain of Louisa may perhaps Alcott (pages 451–467): John Matteson
Chapter 24 the United States Can holiday Your center: at the importance of Mark Twain (pages 468–498): Robert Paul Lamb
Chapter 25 William Dean Howells and the Bourgeois Quotidian: Affection, Skepticism, Disillusion (pages 499–517): Michael Anesko
Chapter 26 Henry James in a brand new Century (pages 518–535): John Carlos Rowe
Chapter 27 towards a Modernist Aesthetic: The Literary Legacy of Edith Wharton (pages 536–556): Candace Waid and Clare Colquitt
Chapter 28 Sensations of fashion: The Literary Realism of Stephen Crane (pages 557–571): William E. Cain
Chapter 29 Theodore Dreiser and the strength of the private (pages 572–585): Clare Virginia Eby

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Extra resources for A Companion to American Fiction 1865-1914

Sample text

The discreet symbolism of realist fiction is one indication that realism is suspended between two kinds of authority: first, literary authority based on the text’s appropriate citation and use of previous texts and literary traditions, and second, social authority based on the text’s reliability as an account of contemporary life. The use of allusive symbolism is a bid for literary authority, whereas, as Roland Barthes has noted, the comparative resistance of certain realist details to familiar forms of thematic or symbolic interpretation creates the impression of empirical truth, validating the text’s claim to represent a social reality (Barthes 1986).

The result is a remarkable linguistic structure, intricately weighted and balanced so that it permits movement but no stable resting-place. Realist fiction is often pervaded by the sense that reality is messy, and its narrative authority depends on its ability to tackle this messiness. Michael Davitt Bell has argued that Howells and some later male realists – most notably, Ernest Hemingway – understood the capacity to tolerate and represent this messiness as a particularly masculine feat (1993: 37).

1901. Chopin, Kate. The Awakening. 1899. Craddock, Charles Egbert [Mary Noailles Murfree]. In the Tennessee Mountains. 1884. Crane, Stephen. Maggie, A Girl of the Streets (A Story of New York). 1893. Davis, Rebecca Harding. Life in the Iron Mills; or, The Korl Woman. 1861. Dos Passos, John. The Forty-Second Parallel. 1930. Dos Passos, John. Nineteen Nineteen. 1932. Dos Passos, John. The Big Money. 1936. Dreiser, Theodore. Sister Carrie. 1900. Fern, Fanny. Ruth Hall. 1855. Hawthorne, Nathaniel. The Scarlet Letter.

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