By Richard Gray, Owen Robinson
From slave narratives to the Civil conflict, and from kingdom track to Southern activity, this better half is the definitive consultant to the literature and tradition of the yankee South.
- Includes dialogue of the visible arts, track, society, historical past, and politics within the sector
- Combines therapy of significant literary works and ancient occasions with a survey of broader subject matters, pursuits and concerns
- Explores the paintings of Edgar Allan Poe, Mark Twain, William Faulkner, Zora Neale Huston, Flannery O'Connor and Eudora Welty, in addition to these - black and white, female and male - who're writing now
- Co-edited by means of the esteemed student Richard grey, writer of the acclaimed quantity, A historical past of yankee Literature (Blackwell, 2003)
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Extra info for A Companion to the Literature and Culture of the American South
Baton Rouge, LA. Kirby, Jack Temple (1995) The Countercultural South. Athens, GA. Lamis, Alexander P. ) (1999) Southern Politics in the 1990s. Baton Rouge, LA. Lee, A. Robert (1998) Designs of Blackness: Mappings in the Literature and Culture of Afro-America. London. ) (1991) The United States South: Regionalism and Identity. Rome. Levine, Lawrence (1977) Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom. New York. Lively, Robert C. (1957) Fiction Fights the Civil War.
1990) Daughters of Time: Creating Woman’s Voice in Southern Story. Athens, GA. Maclachlan, John H. , Joe S. (1956) This Changing South. Gainesville, FL. McMillen, Sally G. (1992) Southern Women: Black and White in the Old South. Arlington Heights, IL. Writing Southern Cultures 25 McPherson, James M. , William J. (1998) Writing the Civil War: The Quest to Understand. Columbia, SC. McWhiney, Grady (1988) Cracker Culture: Celtic Ways in the Old South. Tuscaloosa, AL. Manning, Carol S. (1993) The Female Tradition in Southern Literature.
It’s strange what you don’t forget,’’ begins Machine Dreams (1984) by Jayne Anne Phillips, before moving into an account of the indelible nature of memory, and how memory charges that elaborate network of feeling and faith we call the family. Similarly, early on in The Annunciation (1983) by Ellen Gilchrist, we learn of the memories the young central character ‘‘must carry with her always’’ because they are her ‘‘cargo,’’ as she sees it, part of her that she carries inside her. This is a past of the bloodstream, kin, and instinct rather more than storytelling, but it carries with it Writing Southern Cultures 13 the same burden of communality and difference – the same feeling that now, more than ever, the South needs to be read in plural terms.
A Companion to the Literature and Culture of the American South by Richard Gray, Owen Robinson