By John Hollander

ISBN-10: 0307494918

ISBN-13: 9780307494917

A wonderful new assortment from one among our such a lot special poets.

Here are poems that discover the ways that usual gadgets open doorways to the extra hidden, unconscious truths of our internal selves: a chook of “countless colors” calls to brain “the echo . . . / of an internal occasion / From my forgotten past”; a subway bee sting evokes fast not going visits via the muses—a short-term wisdom that's “as a lot of a / present from these 9 sisters as / Is ever given.”

Other poems lay naked the imperfect nature of our stories: fact altered through our necessarily much less exact yet possibly “truer” keep in mind of prior occasions (“memory— / As choked with random holes as any / Uncleaned window is of spots / Of blur and dimming—begins straight away / To interfere”). nonetheless others research the dramatic adjustments in viewpoint we suffer over the process a life-time as, within the poem “When We Went Up,” John Hollander describes the various responses he has to mountaineering an analogous mountain at assorted issues in his life.

In all the poems Hollander illuminates the fluid nature of actual and emotional event, the connections among the easy issues we stumble upon on a daily basis and the ways that the which means we characteristic to them shapes our lives. just like the harmonious coming jointly of bandstand tools on a summer season afternoon, he writes, so much of what we come to grasp on the earth is “A loss of life second / Of lastingness thenceforth / Ever to not be.”

Throughout this thought-provoking assortment, Hollander finds the ways that we're always growing certain worlds of our personal, “a draft of light” of our personal making, and the way those worlds, in flip, regularly form our most simple identities and truest selves.

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Download PDF by John Hollander: A Draft of Light: Poems

An excellent new assortment from considered one of our such a lot unusual poets.

Here are poems that discover the ways that usual items open doorways to the extra hidden, unconscious truths of our internal selves: a poultry of “countless colors” calls to brain “the echo . . . / of an internal occasion / From my forgotten past”; a subway bee sting inspires speedy not going visits via the muses—a short-term expertise that's “as a lot of a / present from these 9 sisters as / Is ever given. ”

Other poems lay naked the imperfect nature of our stories: truth altered by way of our unavoidably much less actual yet maybe “truer” keep in mind of prior occasions (“memory— / As packed with random holes as any / Uncleaned window is of spots / Of blur and dimming—begins right away / To interfere”). nonetheless others study the dramatic alterations in viewpoint we endure over the process a life-time as, within the poem “When We Went Up,” John Hollander describes the numerous responses he has to mountaineering an analogous mountain at diversified issues in his life.

In all the poems Hollander illuminates the fluid nature of actual and emotional event, the connections among the easy issues we come upon each day and the ways that the that means we characteristic to them shapes our lives. just like the harmonious coming jointly of bandstand tools on a summer time afternoon, he writes, such a lot of what we come to understand on the earth is “A death second / Of lastingness thenceforth / Ever to not be. ”

Throughout this thought-provoking assortment, Hollander finds the ways that we're consistently growing certain worlds of our personal, “a draft of light” of our personal making, and the way those worlds, in flip, always form our most simple identities and truest selves.

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170. 57. , p. 173. 58. ’ was Lange’s initial rule for making a photograph. Lange quoted by her son, Daniel Dixon, in ‘Dorothea Lange’, p. 68. 59. Dixon, ‘Dorothea Lange’, p. 68; Walker Evans in Walker Evans, intro. by Szarkowski, p. 12. 60. Bourke-White, Portrait of Myself, p. 137; Stott, Documentary Expression, pp. 219–23. 61. Rothstein, ‘Direction in the Picture Story’, p. 1357. 62. Stryker, ‘Documentary Photography’, p. 1365. 63. , p. 1365. 64. Rothstein, ‘Direction’, p. 1357. 65. Rotha, Documentary Film, p.

Additionally, the photographs situated both participants in this visual dialogue within a narrative history of America. indd 28 30/11/2012 13:41 The Photo-text 29 Land of the Free The month before the exhibition at Grand Central Palace opened, Archibald MacLeish published Land of the Free, a hybrid text of documentary photographs and poetic social comment. Approximately onequarter of the FSA photographs included in the exhibition featured in the photo-book. 47 Yet, despite MacLeish’s claim that his writing is secondary to the images (thirty-three of which are by Lange) in Land of the Free, the photographers’ names feature only on the index pages.

In so doing, the ‘third party’ experiences a selfhood that cannot be reached solely through the self, but only via the responsive and responsible witness of an Other. Rukeyser’s theory of poetic relation and Levinas’s theory of ethical relation are comparable in terms of their irreducibility to two components, and their subsequent dependence on the presence of a ‘third party’, referred to by Rukeyser as the ‘witness’. indd 43 30/11/2012 13:41 44 Muriel Rukeyser and Documentary I should like to use another word: ‘audience’ or ‘reader’ or ‘listener’ seems inadequate.

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A Draft of Light: Poems by John Hollander


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