By Bruce Sterling

ISBN-10: 0553576429

ISBN-13: 9780553576429

Publish 12 months note: First released in 1999

From the subversive to the antic, the uproarious to the anxious, the tales of Bruce Sterling are stressed, energy-filled trips via an international working on empty--the visionary paintings of 1 of our such a lot creative and insightful sleek writers.

They reside as strangers in unusual lands. In worlds that experience fallen--or must have. They salary battles in wars already misplaced and develop into heroes--and occasionally martyrs--in their last-ditch efforts to maintain the honor and individuality of humanity.

A hack Indian filmmaker takes the heart beat of a wounded and declining civilization--21st-century Britain. a couple of swashbuckling Silicon Valley marketers sign up for forces to make a advertisement killing--in natural underground slime and computer-generated jellyfish. a guy in a eastern urban takes orders from a speaking cat whereas pursuing a drama of threat and experience that has develop into the very essence of his life.

From "The Littlest Jackal", a darkly hilarious mystery of mercs and gunrunners set in Finland, to a stark imaginative and prescient of a post-atomic netherworld in his haunting story "Taklamakan", Bruce Sterling once more breaks obstacles, breaks icons, and breaks principles to unharness the main dangerously provocative and clever technological know-how fiction being written today.

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Additional resources for A Good Old-Fashioned Future

Example text

I had been writing stories, not thinking about a book. It is possible this collection would never have come about if I had not lost my temper. I read a review of a book I loved—My Mama’s Dead Squirrel by Mab Segrest, a witty, revealing collection about humor—full of stories about her family. The review was not critical, it was nasty. It made easy jokes about southerners and their “funny” families. In a rage, I called that woman who had asked me if I had a book. “I’ve got a book,” I told her. ” It took me more than two years to finish the stories and let this book go.

Sometimes it was grief I wanted to provoke, sometimes anger, almost always a spur to action, to change. I wanted the world to be different in my lifetime, and I truly believed that stories were one way to help that happen. I did not begin with craft, I began with strong feelings and worked toward craft. I wanted to be good and I wanted to be effective, and these are not always the same thing. Sometimes I was trying to write a poem, but the thing would not pare down enough to anything less than narrative.

I wrote out my memories of the women. My terror and lust for my own kind; the shouts and arguments; the long, slow glances and slower approaches; the way my hands always shook when I would finally touch the flesh I could barely admit I wanted, the way I could never ask for what I wanted, never accept if they offered. I twisted my fingers and chewed my lips over the subtle and deliberate lies I had told myself and them, the hidden stories of my life that lay in disguise behind the mocking stories I did tell—all the stories of my family, my childhood, and the relentless, deadening poverty and shame I had always tried to hide because I knew no one would believe what I could tell them about it.

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A Good Old-Fashioned Future by Bruce Sterling

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