By Sascha Pohlmann

ISBN-10: 9042030720

ISBN-13: 9789042030725

ISBN-10: 9042030739

ISBN-13: 9789042030732

Against the Grain: analyzing Pynchon's Counternarratives is the 1st e-book that seriously addresses Thomas Pynchon's novel Against the Day, released in 2006. the 19 essays amassed during this quantity hire a wide number of methods to this large novel and in addition take it as a chance to reevaluate Pynchon's previous works, reading Against the Day in terms of V., The Crying of Lot 49, Gravity's Rainbow, Vineland, Mason & Dixon, and Pynchon's brief tales and essays. The authors-younger in addition to confirmed students from 11 countries-address those works in regards to problems with modernism and postmodernism, politics, pop culture, thoughts of area and time, visuality, sexuality, identification, media and communique, philosophy, faith, American and worldwide (literary) background, physics, arithmetic, economics, and lots of extra. Their insights are as profound as they're different, and all supply clean perspectives on Pynchon's fiction that might be important, interesting and exciting for researchers and lovers alike

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Extra resources for Against the grain : reading Pynchon's counternarratives

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At its outset, Against the Day announces itself as being part of the same disreputable literary territory as Wells’s work: it incorporates elements of the ghettoized genres of western, pulp, serial and science fictions, and, in that the book sympathizes with the anarchic Traverses, Pynchon’s politics are clearly Wellsian as well. This paper proposes to see Against the Day as a response to the James-Wells split, and as an announcement that perhaps the art of the novel revered in the last hundred years was only one way the genre can go: Pynchon’s return to a populist or “low” genre is in fact a radical political gesture.

Instead, it harks back to Gravity’s Rainbow and its questions of technological determinism, weaponry, and violence: mathematics is deprived of any purity of abstraction when Piet Woevre claims that “‘all mathematics leads, doesn’t it, sooner or later, to some kind of human suffering’” (AtD 541). The reminders of this materiality are often brutal intrusions in Against the Day, and they often stand in the tradition of Marxian materialism by betraying their economic origins, as especially Kit has to learn the hard way: Vectorism, in which Kit once thought he had glimpsed transcendence, a coexisting world of imaginaries, the “spirit realm” that Yale legend Lee De Forest once imagined he was journeying through, had not shown Kit, after all, a way to escape the world governed by real numbers.

At its outset, Against the Day announces itself as being part of the same disreputable literary territory as Wells’s work: it incorporates elements of the ghettoized genres of western, pulp, serial and science fictions, and, in that the book sympathizes with the anarchic Traverses, Pynchon’s politics are clearly Wellsian as well. This paper proposes to see Against the Day as a response to the James-Wells split, and as an announcement that perhaps the art of the novel revered in the last hundred years was only one way the genre can go: Pynchon’s return to a populist or “low” genre is in fact a radical political gesture.

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Against the grain : reading Pynchon's counternarratives by Sascha Pohlmann


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